卓别林的第一部长片（片长六卷）在风格上放弃一些过分夸张的闹剧动作开始加入笑中有泪的人情味于完整的故事中拍成一部相当感人的悲喜剧作品 故事描述一名穷苦的伦敦女人把私生子丢弃在有钱人住宅门口的汽车上然而汽车被窃婴孩被扔在垃圾箱旁玻璃匠夏尔洛经过把婴孩捡了回家抚养孩子长大到四、五岁时夏尔洛带他出去干活孩子先拿石头掷破人家的窗户夏尔洛就上前换玻璃爷儿俩其乐无穷后来国家的慈善机构要把小孩送进育幼院夏尔洛感到一阵迷惘他决定要把孩子夺回乃翻过屋顶追赶上飞跑的卡车终于把小孩再次抱入怀中夏尔洛不能回到他居住的顶楼乃带着小孩到夜店投宿此时小孩的母亲已经有了钱悬赏找回她的孩子有人为钱把小孩从夏尔洛身边偷偷取走送回给母亲夏尔洛在梦中来到了陋巷天堂在那里有争吵也有欢笑夏尔洛一觉醒来发现母亲与小孩站在他的身边他终于找到了幸福 五岁的天才童星贾克柯根扮演小孩有十分可爱动人的表现他跟卓别林之间流露出来的父子情深深打动了观众卓别林也充分掌握了玻璃匠夏尔洛的细致感情层面在逗笑之余也严肃地塑造了一个卑微却充满爱心的慈父形象整个故事拍得十分流畅...🎶　　It’s 1958 and trouble is brewing in the Cambridgeshire village of Grantchester. Reverend Will Davenport (Tom Brittney) relishes his role as a firebrand vicar, willing to rock the boat and challenge conventions to help people. But the very role he loves put him at odds with his own ideals when his kind-hearted curate, Leonard Finch (Al Weaver) is caught up in a scandal. Will’s best friend, Detective Inspector Geordie Keating (Robson Green), finds his principles shaken, housekeeper Mrs Chapman (Tessa Peake-Jones) is distraught, and Geordie’s wife Cathy (Kacey Ainsworth) is defiant. With new crimes around every corner, and morality and legality at loggerheads, it’s going to take all of Will’s skill and empathy to navigate these choppy waters and help the ones he loves.😡,
陈沐允忽然厚脸皮的觉得他们现在怎么那么像夫妻的样子安静平淡岁月静好病猫一时没了兴致，希欧多尔看着兴高采烈的程诺叶没有多说什么他把手中的大鱼扔向站在河边的雷克斯。梅恩夫人倒是表情十分平静的看着这一切只不过偶尔这视线还是会往楼顶上飘过去🧞‍，